Nella Braddy Henney, Keith Henney
The Nella Braddy Henney Collection is comprised of correspondence, notes, photographs, articles, clippings, publications and other materials related to the lives of Helen Keller, Anne Sullivan Macy, Polly Thomson and Nella Braddy Henney. The extensive correspondence collection contains Keller correspondence with other people, including Samuel Clemens (Mark Twain; copies), Perkins Directors Edward E. Allen and Gabriel Farrell, Charles F. F. Campbell, actress Katherine Cornell, and other notable people forwarded to Nella Braddy Henney for use while working on her book Anne Sullivan Macy: The story behind Helen Keller (1933).
Braddy Henney was married to Keith Henney, a photographer who is responsible for many of the photographs in the collection. The photograph collection includes portraits, publicity photographs with prominent individuals, materials related to film projects in Hollywood, advocacy for blinded veterans, many casual images from visits to Helen Keller’s Arcan Ridge and Forest Hills homes, and trips to Martha’s Vineyard with Eleanor Roosevelt.
Charlotte Cushman, Stefanie Maclin, Molly Stothert-Maurer
Nella Braddy Henney first met Anne Sullivan, Helen Keller, and Polly Thomson in 1924, when she came to the Sullivan-Keller-Thomson household to write Sullivan’s biography Anne Sullivan Macy: The story behind Helen Keller (1933). Quickly mastering the manual finger language, she kept Keller in touch with the political, literary, and scientific world around her. She remained in Keller’s life, as a friend, and also as Keller’s power of attorney, acting agent for all Keller’s literary matters, until 1963. She was married to Keith Henney, also a writer and editor, as well as a photographer who took many photographs of Helen Keller. She died in 1973.
It is the responsibility of the user to obtain permission to publish from the owner of the copyright (the institution, the creator of the record, the author or his/her transferees, heirs, legates, or literary executors). The user agrees to indemnify and hold harmless Perkins School for the Blind, its officers, employees, and agents from and against all claims made by any person asserting that he or she is an owner of copyright.
4 series, one appendix, 20 boxes and 36 binders. Note: Nella Braddy Henney is abbreviated NBH
Series 1: Original Correspondence
Series 2: Photocopies of Correspondence
Series 3: Photograph Collection
Series 4: Publications
Appendix A: Index to Correspondence/Item level descriptions
Series 1: Original Correspondence
Some boxes link to the item-level description and full-text digital collections. Transcriptions of much of the handwritten correspondence are available in the Nella Braddy Henney Collection Highlights Flickr Collection. Transcription work is in progress. Boxes 2-4 transcriptions are available on request by emailing Archives@Perkins.org.
Series 2: Photocopied Correspondence in Binders, Numbered 1-36 (37 total)
1: NBH Journal Vol. 1, 1938-1951
2: NBH Journal Vol. 2, 1952-1955
3: NBH Journal Vol. 3, 1956-1962
4: Notes for book about Anne Sullivan Macy, 1934
5: Notes for book about Anne Sullivan Macy, 1934
6: Notes for book about Anne Sullivan Macy, 1934
7: Notes for book about Anne Sullivan Macy, 1934
8: Notes and Reviews, NBH book about Anne Sullivan Macy
9: Clippings, 1932
10: Correspondence from others to Keller, Sullivan Macy, Thomson forwarded to NBH (includes letters from Samuel Clemens, and Dir. Anagnos, 1903-1952
10A: Correspondence and Writings, many from Helen Keller to John Macy, 1914, 1933-1954
11: Letters from Helen Keller to NBH, late 1920s
12: Correspondence to and from NBH, 1926-1932
13: Correspondence to and from NBH, 1933
14: Correspondence to and from NBH, 1934-1936
15: Correspondence to and from NBH, 1937
16: Correspondence to and from NBH, 1940-1943
17: Correspondence to and from NBH, 1944-1947
18: Correspondence to and from NBH, 1948
19: Correspondence to and from NBH, 1949-1950
20: Correspondence to and from NBH, 1951-1952
21: Correspondence to and from NBH, July 1952-1953
22: Correspondence to and from NBH, 1953-1957
23: Correspondence to and from NBH, 1954
24: Correspondence to and from NBH, January 1955- July 1955
25: Correspondence to and from NBH, August 1955- December 1956
26: Correspondence to and from NBH, January 1957- June 1957
27: Correspondence to and from NBH, July 1957-December 1957
28: Correspondence to and from NBH, January 1958- June 1958
29: Correspondence to and from NBH, July 1958- December 1959
30: Correspondence to and from NBH, January 1959- July 1959
31: Correspondence to and from NBH, August 1959- December 1959
32: Correspondence to and from NBH, 1960
33: Correspondence to and from NBH, 1961
34: Correspondence to and from NBH, 1962-1963
35: Correspondence to and from NBH, 1964- 1966
36: Correspondence to and from NBH, 1967-1969
Box 16: Folder 1: In the hospital [late 1960s], 21 photographs, some duplicates. Helen Keller, in her last years of life
Folder 2: Polly Thomson , 1 photograph. Studio portrait of Polly Thomson, with a handwritten note to NBH thanking her for advice given during a trying time, most likely Anne Sullivan Macy’s death.
Folder 3: Hands [1960s], 16 photographs, with duplicates. Keller’s hands reading Braille.
Folder 4: At Forest Hills home [n. d. (1930s-1950s)], 24 photographs and contact sheets, some duplicates. Features several group photos of Helen Keller, Polly Thomson, and Nella Braddy Henney. Has at least two photographs of Helen with Herbert Haas, the live-in handyman, as well as photographs of Katherine Cornell, the actress. Many photographs taken by Nella’s husband, Keith Henney.
Folder 5: At Home in Forest Hills [ca. 1919, n. d., 1930s-1950s], 8 photographs, some duplicates. Features one photo of Polly alone, and several of Polly and Helen working on Helen’s various work or projects. One of Helen, Anne Sullivan Macy and Rebecca Mack (ca. 1919), many taken by Nella’s husband, Keith Henney.
Folder 6: Helen Keller, at home, alone or with her dog. [n.d., ca. 1930s-1950s], 30 photographs, some duplicates. Features several of Helen working at her desk. Also has photograph with her dog just after Anne Sullivan Macy’s death. Many photographs by Keith Henney.
Folder 7:Various [1930s-1960s], 14 photographs. Features photographs from Arcan Ridge, the Easton, Connecticut house purchased after Anne Sullivan Macy’s death, as well photographs of Helen Keller and Polly Thomson at the American Foundation for the Blind offices. Includes one photograph of Helen and Polly visiting their long-time hat maker. Includes one photograph a few years before her death, with Winnie Corbally, her nurse and companion after Polly’s death. Some photographs by Keith Henney.
Folder 8:Advocate and traveler [n.d., 1920s-1960s], 18 photographs. Includes photographs of Helen and others in California, possibly around the time of the film, Deliverance, Helen and Polly Thomson’s travels, Helen with Chan Poh Lin (later Theresa Chan), Helen with Commander R.E. Braddy, Nella Braddy Henney’s brother.
Folder 9: Martha Graham’s dance studio [ca. 1954], 5 photographs. Of Martha Graham, Robert Helpman, Guthrie McClintic and other dancers with Helen Keller at her studio, at the time Helen was filming Helen Keller in Her Story (1954).
Folder 10: Visiting Durban, South Africa and Madras, India [ca. 1955, the early 1950s] 6 photographs, some duplicates. Polly Thomson, Helen Keller and unidentified men. Several photographs also features a man in elaborate headdress.
Folder 11: Martha’s Vineyard , 8 photographs and 1 letter. Includes: Joseph P.
Appendix A: Index to Correspondence
https://www.flickr.com/photos/perkinsarchive/collections/72157706821587314/Keller, Helen, 1880-1968.
Macy, Anne Sullivan, 1866-1936
Henney, Nella Braddy, 1894-
Perkins School for the Blind